#it looks NOT AT ALL like my work
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getvalentined · 2 years ago
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咲さんの橋 (1986)
A group of young girls wake up in a strange place, and come to the horrifying realization that there's only one way to "escape."
Saki's Bridge is a mid-80s psychological horror OVA produced by now-defunct Go For A Punch! Studios, known for the creation of several short one-off animated features. One of the most unique features of Saki's Bridge is the absence of a soundtrack; due to the volume of characters, the team chose to direct the minimal funding allotted to the film toward hiring highly skilled voice actors to portray each one in a distinct and recognizable way rather than paying for the composition or licensing of any music. The intense voice acting placed against a backdrop of low, ambient sound effects lends the film one of the eeriest vibes in Japanese media.
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bereft-of-frogs · 8 months ago
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There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation
because WHAT are people talking about sometimes
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hinamie · 2 months ago
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10 years later
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krysmcscience · 3 months ago
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I have some questions about karaoke night, Alex Hirsch. Very Important Questions. Which I will happily scream at a poor hapless baby triangle who can have no answers for me, and possibly also does not have object permanence yet.
Follow-up that is I guess suggestive, but let's be real here, Bill's a fucking triangle:
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Dude slipped right into his birthday suit, lmao
this is so stupid :D
Anyway, I don't care what anyone says, this brilliant individual knows what's up - Bill is absolutely way more of a monsterfucker than Ford could or ever will be, full stop.
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ruporas · 8 months ago
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dragon meat, you, and me
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hansoeii · 1 year ago
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I probably won't finish this piece any time soon, but I wanted to share the unfinished version with you anyways!
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july-19th-club · 2 years ago
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seriously have been thinking about this all night long. call me autistic but the fact that 90% of workplaces the point is not to get your work done and then be done doing it but to instead perform an elaborate social dance in which you find something to do even when you're done doing everything you need to do in order to show your fellow workers that you, too, are Working . because you are at Work . disgusting why cant we all agree that if there is no work immediately to be done. we just dont do anything
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egophiliac · 2 months ago
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still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)
anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)
#art#twisted wonderland#twisted wonderland spoilers#lost in the book with nightmare before christmas#hajimari no halloween#calling dibs on skeleton kisses as the name of my band#man scully is just a delightful little weirdo and i'm enjoying him immensely#(i'm going with scully until we get something official just because it makes me think of x-files)#(スカリー is also how the agent's name is transliterated and i don't know if it was intentional but i love it as a bonus reference)#(i want to believe™)#gosh though#'no one at school likes me because i won't shut up about halloween and jack skellington' i'm feeling VERY attacked right now twst#look scully your people are out there#just get on the forums and -- oh wait you're probably from like the 1800s or something#(my theory is that he's from the past and there's just some Book Magic going on to bring us together)#(LOOK they made a point of saying that the book fair has been held annually for a super long time)#a hot topic goth born before hot topic was invented...so sad 😔#i dunno i could be wrong but that feels like a good working theory for now#if it wasn't for mal sensing twsty ~magic~ on him i would think he's like. a christmas elf who's going to kidnap jack in a reverse-nmbc#(not ruling that out though because it would be amazing)#god all the sprites in this event look AMAZING. loving the desaturated colors and the extra drawn-on lines 😍#i'm genuinely kinda sad that we aren't gonna get to see every character like this#who knows...maybe halloweentown will be imperiled again next year...#come back and destroy my keys again please#(that said i'm doing weirdly well so far?)#(i promised i'd save for sebek and just do cursory pulls to get the SRs and not hope for the SSRs)#(...but then leona jumpscared me four coffins in anyway. halloween magic is REAL)
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xxplastic-cubexx · 2 months ago
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obligatory beach divorce doodling
bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut
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#mcu#marvel cinematic universe#xmen#xmen movies#xmen first class#cherik#charles xavier#erik lehnsherr#professor x#magneto#snap sketches#'snap i thought you were drawing old cherik this weekend' so did i but i was inflicted with visions sorry </3#i have my lil 92 comic sketched so ill do that tomorrow. not finish it but ill work on it 💀#i wsa just gonna draw the first thing but then i figureed i might as well draw Most of the beach-divorce-related things i want to#just so i could put it all on one post. however this is a lie and i know ill wanna doodle more beach stuff#the first drawing Unsurprisingly was motivated BY the xmen 41 legion quest cover- at the very least the total blackout of erik's face#i wanna draw more of erik using his powers .. i wanna figure out how i wanna draw the effect etc etc#i was just gonna redraw the cover but i already liked the sketch i did of the first thing so. here we are#plus i figure someones already done a redraw of the cover but if anyone cares ill finish my version ig LOL#as for the comic ermmm it was just an excuse to draw erik with glowing eyes </3 and fading-glowing eyes </3#thats why i didnt draw the whole. Choking Moira bit. but i wouldve if i was redrawing the whole scene#kinda wish i did now that i think of it cause it coulda looked cooler prob but oh well maybe in like. three months when i redraw this#for exactly five cents ill redraw the whole beach divorce erlkjealkaje i can see it so clearly in my mind#what if first class was a comic drawn by a freak thatd be wild#but yeah thats why everything look rough as christ these were just supposed to be silly lil thangs#'silly things' and its beach divorce OK.#ok bye im gonna do my homework
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800db-cloud · 3 months ago
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i’m literally shaking buy them brown contacts pls
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aurosoulart · 1 year ago
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Local Wizard Goes To Store, Casts Duplicate On All The Items
aka I went to the antique mart this weekend and did a bunch of art studies in augmented reality! SUPER fun way to hone the ol 3D brush skills
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genericpuff · 6 months ago
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Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.
hahaha it wouldn't tho, sorry 💀
Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):
Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.
Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself
Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.
Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.
Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)
Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.
If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:
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(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).
The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.
And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.
So what can we do?
We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.
For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.
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acetier · 6 months ago
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i'm So Normal about him
((close ups under cut bc idk he's pretty asdsfksdf))
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hinamie · 3 months ago
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I'll give them shelter like you've done for me
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eydilily · 18 days ago
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your pearl is one of my favorite designs for her i’ve ever seen <3 her face shape feels so right, and i love how you draw her hair. by way of a request, have you ever drawn her as an avian?
thank you so much! pearl's design is definitely my favorite to draw :')
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ive done a bit of practice with pearl and grian as avians but that was way before i started posting hc publicly! ( these ones are new :D )
also played around with an alternate version! i dont know much about birds but i saw the australian barn owl and took more inspo from them
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girlwiththegreenhat · 4 months ago
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team fortress 2 finally getting rid of the bots after 5 years
work on the team fortress 2 comic continuing after 7+ years
half life 3 development looking more likely than ever with legitimate code, file, and voicework leaks referencing a new non-VR single-player game from valve featuring a HEV suit wearing protagonist and Xen creatures and concepts
shoutout to the valve fan that found the genie lamp. you a real one
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